Post-War Classical Hollywood: 1945 - 1966

Post-War Classical Hollywood

1945, Detour - Edgar Ulmer
1945, Mildred Pierce - Michael Curtiz
1946, Gilda - Charles Vidor
1946, The Big Sleep - Howard Hawkes
1946, The Blue Dahlia - George Marshall
1946, It's a Wonderful Life - Frank Capra
1947, Black Narcissus - Powell, Pressberger
1948, Rope - Alfred Hitchcock
1948, They Live By Night - Nicholas Ray

1950, The Asphalt Jungle - John Huston
1950, D.O.A. - Rudolph Maté
1950, Sunset Boulevard - Billy Wilder
1951, A Streetcar named Desire - Elia Kazan
1951, The Day the Earth Stood Still - Robert Wise
1951, African Queen - John Huston
1952, High Noon - Fred Zinnemann
1952, Singin' in the Rain - Stanley Donen
1953, How To Marry a Millionaire - Jean Negulesco
1953, From Here to Eternity - Fred Zinnemann
1953, The Bride of Frankenstein - James Whale
1954, Them! - Gordon Douglas
1954, Creature From the Black Lagoon - Jack Arnold
1954, Rear Window - Alfred Hitchcock
1955, Marty - Delbert Mann
1955, Night of the Hunter - Charles Laughton
1955, Man With the Golden Arm - Otto Preminger
1955, The Seven Year Itch - Billy Wilder
1955, On the Waterfront - Elia Kazan
1955, Bad Day at Black Rock - John Sturges
1955, Rebel Without a Cause - Nicholas Ray
1955, Oklahoma - Fred Zinnemann
1955, Kiss Me Deadly - Robert Aldrich
1956, The Wrong Man - Alfred Hitchcock
1956, Invasion of the Body Snatchers - Don Seigel
1956, Giant - George Stevens
1956, The Ten Commandments - Cecil B. DeMille
1956, The Searchers - John Ford
1957, 12 Angry Men - Sidney Lumet
1957, The Incredible Shrinking Man - Jack Arnold
1957, Paths of Glory - Stanley Kubrick
1958, Vertigo - Alfred Hitchcock
1958, The Defiant Ones - Stanley Kramer
1959, Cat On a Hot Tin Roof - Richard Brooks
1959, Plan 9 From Outer Space - Edward D. Wood Jr.
1959, Ben Hur - William Wyler
1959, North by Northwest - Alfred Hitchcock
1959, Some Like It Hot - Billy Wilder
1959, Imitation of Life - Douglas Sirk

1960, Psycho - Alfred Hitchcock
1960, Spartacus - Stanley Kubrick
1961, The Taste of Honey - Tony Richardson
1962, Carnival of Souls - Herk Harvey
1962, West Side Story - Robert Wise, Robbins
1962, The Manchurian Chandidate - John Frankenheimer
1963, The Birds - Alfred Hitchcock
1963, Cleopatra - Joseph L. Mankiewicz





On the Cusp

1964, A Fistfull of Dollars - Sergei Leone
1964, Dr. Strangelove - Stanley Kubrick
1964, The Last Man on Earth - Ubaldo Ragona
1965, Major Dundee - Sam Peckinpah
1965, For a Few Dollars More - Sergei Leone
1965, Children of the Damned - Anton Leader
1965, Dr. Zchivago - David Lean
1965, Lawrence of Arabia - David Lean
1966, The Good, the Bad and the Ugly - Sergei Leone
1966, Who's Afraid of Virginia Woolf? - Mike Nichols


7 comments:

Anonymous said...

Hi I’m June Perino and I will be your moderator for Post- War Hollywood Classical.

When I think of Classic Hollywood films many things come to mind, such as: strong storytelling, direction, acting, cinematography, editing etc. It is the whole body of the production that makes these films have a timeless quality that people can enjoy in any era.

Good luck!

Unknown said...

12 Angry Men – Bleh who hasn’t been made to watch this by there elementary school teacher ☹ also I believe if I remember correctly I had to watched this in prof. comos’ speech 101 class, and urgh it was still boring…I know I know it’s supposed to be about breaking down racial prejudices or whatever but still it was boring…from a films students point of view I believe I learned in Jens CT 205 class that this film was notable because it was shot in one place and the director created on screen tension by zooming in as the move went on, you know cutting off more and more ceiling. So to make the jurors seem more enclosed and more at odds… but really I don’t care.

Unknown said...

Ben Hur - Charlton Heston’s most famous movie need I say more? Oh there is plenty of horse racing and you can learn a little about the life and legacy of JESUS if you watch it.

Unknown said...

The Ten Commandments – don’t remind me of how many times I’ve been made to watch is old school movie at church…I think its soo funny, like my favorite part of the movie is were Moses is getting the ten commandments and the lord is like fire like a fire whip and the words are been written in stone…lol makes me laugh every time. Then when Moses comes down with the commandments people are acting way fired down…and he like smashes them on the floor because everyone is acting crazy and parting, then he’s like iight I see how you do I was gone for one minute…lol…then he’s like okay who’s on the lords side? Kill everybody who is not on the lords side then everyone scrambles etc. anyway good stuff good stuff.

Unknown said...

West Side Story – Can’t believe I’m saying this but yes I’ve seen this movie…geez I’m starting to feel like I have no life, lol, it’s a cult classic, that’s the main reason why it’s cool, other then that the movie is kinda cheezie classic good gurl falls for bad guy, half the movie is following the gang doin mischief or whatever like the cops are looking for theses kids the gurl hides the bad guy, but in the end she couldn’t save him and he is a victim of his life style…not to mention this joint is a musical see this is why it was so cheesie too much dancing grease was beta lol.

Unknown said...

The Birds – Yooooooo this moive is still the craziest horro movie I ever saw, I remember it made me cry as a little kid, especially when those seagulls were smashing into the car. This movie is sick, the chick comes to this town next thing all these birds are flocking around, then they start attacking, and killing people causing car accidents and stuff…it’s crazy that’s all I can say, when you see birds pecking at people movie fiction or no, it does something to you on the inside, I suppose it makes man feel helpless against the forces of nature, so that’s why this movie is so scary, but I don’t know it’s just my take.

Iddan said...

Rope - Alfred Hitchcok. Probably one of the movies he is less known for, however probably an extremely critically historical movie. It was done all in one basic setting, using stage hands to constantly rotate the set to accomocate the huge color cameras. It was also a classically edited film with the sequence shots editing style. The only cuts were when they ran out of film. The only problem I had with this film narrative wise, was the lack of suspense, especially coming from a Hitchcock film. The suspense was mainly wondering when and how the body would be discovered. Overall I enjoyed the film although it wasn't his best work.